‘Made in L.A. 2018’: Why the Hammer biennial is the right show for disturbing times

The UCLA Hammer Museum’s much-anticipated biennial survey of new art produced in the city has just opened its fourth iteration. “Made in L.A. 2018” is the best one yet.

Part of the reason comes from simple, dramatic contrast. Since the show’s last outing in 2016, American society has been plunged…

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